The Ephesus Foundation Inc. USA

The Cave of St. Paul

Kryphi Panaya (“Hidden Virgin”) also called “The Cave of St. Paul”

In the course of excavations at Ephesus, more than 3,500 inscriptions have been found to date. Some of the most interesting are in a small cave on the slope of Bülbül Dagh mountain (Nightingale Mountain).  The cave has three names, the oldest of which “Kryphi Panaya” means “Hidden Virgin,” and comes from the local legend that when St. John brought the Blessed Virgin Mary to Ephesus from Jerusalem, they had no place to stay.  John found this cave and hid Mary there for her safety.  It was not until some time later that John located a more suitable home for Mary higher up on the mountain, known as Panaya Capouli.  In more recent years, the cave has been re-named “the Cave of St. Paul” or “the Grotto of St. Paul,” due to the Early Christian frescoes and inscriptions on the walls which refer to Paul.  The name was given by one of the foremost researchers, archaeologist Dr. Renate Pillinger of Vienna.

The cave has been a Christian sacred site since the 1st or 2nd century. Its walls have been decorated with frescoes and inscriptions over the course of many centuries, white-washed several times, then re-painted with new images. Discovered under plaster on the walls are important 6th-century frescoes, accompanied by inscriptions, depicting the Virgin Mary, St. Paul and St. Thecla (a female disciple of Paul). This is the only known depiction of Paul at Ephesus and the earliest known appearance in the world of Paul and Thecla together.

The cave was discovered by a group of Lazarist priests, Fathers Henri Jung and Eugene Poulin in 1892, while looking for the tomb of the Blessed Virgin Mary. It was “re-discovered” in 1906 and excavated by the Austrian Archaeological Institute. Karl Herold, head of the restoration department, uncovered some of the frescoes beneath the plaster on the cave walls.

The cave consists of a corridor leading to a back room cut into the rock which served as a chapel for religious services. In the corridor there are two niches in the walls blackened with soot from lamps which lighted these alcoves centuries ago. Under the layers of plaster on the corridor walls are Greek phrases such as “the hidden of Mother of God” and “Paul help your servant”-written in charcoal and chalk. To protect these delicate and ancient wall frescoes, the cave is not open to the public.

According to the Austrian Archaeological Institute, during the course of the systematic excavation of the cave, over 500 graffiti and inscriptions, dating from the 5th to the early 20th century, have been discovered on the partially uncovered frescoes. Most of these texts have to do with religious invocations.

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  • The exterior of the cave’s entry (right), and false entry (left).
  • Wall painting tells the story of St. Thecla who broke off her engagement to follow St. Paul.
  • Detail of St. Paul, with his fingers extended showing him preaching. This is one of the earliest known portraits of St. Paul in the world.
  • The inner-most room of the cave, painted with scenes of Jesus Christ and the Apostles.
  • Enhanced photo of beautiful paintings on the back wall of the cave.
  • July 1892 sketch of the cave by Paul d’Andria, showing the wall art in the rear as it existed then.
  • Jesus Christ as depicted in ancient wall painting on the back wall of the cave.
  • An unidentified Apostle.
  • TEF President Bill Quatman explores the cave with Bishop Robert Finn, Kansas City-St. Joseph  Diocese (2007).
  • Undated photo of the cave after a white-washing of the artwork, early 1900’s.
  • Undated photo of the exterior of the cave.
  • Floor plan of the cave, courtesy of The Austrian Archaeological Institute.
  • Location of St. Paul’s Cave in relation to the Church of Mary.
  • TEF President and Board Members on a pilgrimage in October 2007 pose outside of the Cave of the Hidden Virgin aka St. Paul’s Cave.
  • The interior of Kavakli Panaya (“Hidden Virgin”), showing the wall-paintings of St. Paul and St. Thecla on the right side, with the chapel far to the rear.